Gitanos Andaluces Paco De Lucia Pdf 17

Gitanos Andaluces Paco De Lucia Pdf 17

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Gitanos Andaluces Paco De Lucia Pdf 17

he also appeared in the films rondalla de sibaras, rondalla de tijeras, and las andaluzas (the andalusian sirens) by saura. he recorded several duet recordings with the singer, guitarist, and composer, antonio canales. his duet with tin tanel recorded in 1975, nacionales gitanos (national gypsies), is considered to be the most influential flamenco record. he was named after his grandfather, who was born with the surname luciano, paco’s mother having changed it to de luca because his grandmother, his mother’s mother, was an italian, a fact that caused paco to be considered in his homeland as a hybrid, or mulatto. the image of paco de luca was forged with great care by the photographer isabel coixet, who would go on to take the pictures for all his albums.

in 1976, he toured with the group formed by the andalusian flamenco guitarist and composer francisco moreno, with whom he performed at the madrid casa encantada, among other venues. paco was in the audience of a concert by antonio canales at the madrid royal theater in 1987. he was given a lifetime honorary membership by the san sebastian flamenco festival in 1988. he was awarded an honorary doctorate by the university of algeciras, and a doctorate by the university of grenoble in france. he received the prince of asturias arts prize in 2002 and, in 2004, he was named the doctor of the guitar.

in his career, he recorded albums with the flamenco orchestras of the conde brothers, jose chava, mario navarro, and manolo sanlcar, among others. he collaborated with artists such as arnaldo y los relampagos, javier de diego, and maria del mar bonet. he played with the trio los de la torre, with whom he also performed on the tv show flama de oro. with the marimbas of rafael ros de viterbo, he recorded the album flamenco gitano, with the flamenco orchestra of manolo sanlcar. he participated in a number of duet albums with antonio canales, manuel de falla, isaac albniz, and joaquín rodrigo, among others. he also appeared in several movies, and acted in two flamenco movies, camarn and carmen. he wrote the soundtrack for the movie don juan de marco. he composed soundtracks for the movies alageciras (1978), la sabina (1978), the hit (1994), sevillanas (1990), and flamenco and flamenco (1993). he also composed the soundtrack for the tv show, el flamenco canario, with music by paco de luca, and he also recorded with the flamenco orchestra of manolo sanlcar. he has toured all over the world.

the guitarist’s career was never solely or even primarily linked to jazz, but rather to his flamenco roots. in addition to touring europe with the quintet and sextet, he often performed with his siblings, his nephew, and the marimba player oscar de len, who also composed lyrics for some of paco’s flamenco compositions. the guitarist and composer miquel poveda had an important role in paco’s career, collaborating with him in both jazz and flamenco. in 1990 he formed the sextet micropol with saxophonist joel meyerowitz, guitarist john mclaughlin, drummer al foster, and percussionist will lee. he also wrote the first book on the life of ramón montoya, the guitarist who had a profound effect on his musical formation. even in the flamenco scene, he often performed with his friends, such as the flamenco dancer yolanda millas.
at the end of the 1980s, paco decided to create a sextet and take on the challenge of his life, to make an album where all the members of the ensemble would play the instruments. the guitarist did not want to repeat his previous albums, because of the usual large scale of these flamenco groups. so he chose to create a sextet with a small and intimate format. he decided to form a group consisting of himself, the bassist jose de enciso, the drummer pepe de luca, the percussionist rubem dantas, and the flamenco singers yolanda millas and juan alarcos, who also joined the sextet after his return from the usa. these were the musicians who took part in the albums sexteto (1984), plena de tango (1986), and el gallo (1990). he dedicated himself to writing songs, almost always for yolanda millas and juan alarcos. and he continued to play in public, all over the world, with his sextet and as a soloist.
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