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**Non-Photo Editing Programs**

While Photoshop has long dominated the photo editing market, it is not the only game in town. There are now many other photo-editing and creative programs available from the likes of Corel, Adobe, and Apple that are designed for other uses. Some are for general home or business use, and some are specifically for use in the world of film and animation.

Here are a few of the more popular ones:

* Apple Mac Homepage: www.apple.com/mac
* Apple Mac OS X: www.apple.com/macosx/
* Corel: www.corel.com
* Linux: www.linux.com
* Adobe: www.adobe.com/products/photoshop
* Adobe Premiere Elements: www.adobe.com/products/photoshop_corel.html
* Adobe Photoshop Lightroom: www.adobe.com/products/photoshoplightroom.html

More programs like the listed ones are always being created. Check online resources for the latest development.

Some of these programs are too specialized to need a separate section of this book, while others fit well here. However, even with a very specific program, this book can help you learn how to edit and organize your images.

## **CHAPTER 3
Organizing Your Photos**

**_Your images may be on disc or in your computer, and many of them may be** stored on the Internet. Unless you are creating your own photo book or a collection of unique images for your eyes only, you will need to organize your images before you print or display them. When you examine the images in Adobe Bridge or E-Muse, you’ll also want to organize them.

_Organizing your images means choosing a method of storing them that makes it easy to use them, and then archiving the images in a way that will make it easy to find them later. This is discussed in the final section of this chapter._

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You can download Photoshop Elements in the Google Play Store (free) and App Store (costs $7.99).

We suggest that you perform a complete reset of your device to disable all 3rd party applications and the Android system. This will allow your phone to use all its storage space on your SD card.

The following list will show you the shortcuts to open various Photoshop elements features.

Editor Basic Editor Editing Tools Curves Curves Filters Levels Levels Tone Tone Adjustments Gradient Grads Presets Red Eye Watermark Text Effects Type Effects Filters Layers Adjustment Layers iBooks Effect-stretching Filters Pixel Art Brushes Presets

Editor Basic Editor Editing Tools Curves Curves Filters Levels Levels Tone Tone Adjustments Gradient Grads Presets Red Eye Watermark Text Effects Type Effects Filters Layers Adjustment Layers iBooks Effect-stretching Filters Pixel Art Brushes Presets

Introduction to Photoshop Elements 16

Create and save new files by opening projects

Open projects by clicking on the.psd file name at the desktop. The top left icon is a different type of file.

Click on the ellipsis to open the.psd file

Open files by clicking on the file name. The list is alphabetical.

Click on the file name to open the file. The first file in the list is the most recently opened file.

Show all files by clicking on the small triangle or window icon in the top right corner of the list

Save a file with a new name in.psd format. Double click on the file name in the list.

Save a new document with a new name from the built-in templates. Select one of the available document templates.

If Photoshop Elements is your first time using the editor, you may experience some difficulties. Please follow the guides below.

Save as option

Use the Save as option to save the file as a.psd.

Name the file and type in a description. Click on Save.

File > Save is a shortcut to the Save as option.

Open the file with the option opened by clicking on the file name

Use the Open from option to open a file from the list.

Use the Open option to open a file from the list. The first file in the list is the most recently opened file.

Close
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Phil McCrimmon

Phillip “Phil” Francis McCrimmon (born October 26, 1960) is a former American football defensive back in the National Football League for the Detroit Lions, the Washington Redskins and the Green Bay Packers. He played college football at Brigham Young University and was drafted in the sixth round of the 1983 NFL Draft.

References

Category:1960 births
Category:Living people
Category:American football safeties
Category:American football cornerbacks
Category:BYU Cougars football players
Category:Detroit Lions players
Category:Green Bay Packers players
Category:Washington Redskins players
Category:Sportspeople from Sacramento, California
Category:Players of American football from California
Category:Sportspeople from Ogden, Utah
Category:National Football League replacement playersThursday, September 9, 2009

Books in the Hurdle

* See here for a piece I wrote yesterday concerning my struggles with the textbook selection process. There’s a new item on my hit list — “Humanities and the West: Theoretical Perspectives.” I’ve read the book reviews, which are not the best, but I’m a good reader and fairly sharp with the Internet. I saw that the publishers had put out a new edition of a much-praised book, “The Cultural Logic of Late Capitalism,” but I’m not convinced that I want to bother. It’s certainly pretty. But I can’t bring myself to shell out $40 at the moment — it’s too much money for me to feel like it’s an intelligent purchase at this point.

* I wanted to read something serious to read before the first bell rings tomorrow. Haven’t had a chance to look for one yet, but I thought I’d mention the wonderful “The Exquisite Corpse” by Eliot Weinberger, which I recommend to all those who like to get their literary legs under them. It’s one of those books that you’ll find yourself returning to again and again, without fail — I picked it up over the Christmas holidays and read it all the way through over Thanksgiving. I know that this kind of thing comes in vogue right now, but I think it’s a dangerous trend, because what I liked about this book was precisely that it didn’t have to be “serious” in order to be serious. And so I think you should listen to me.

* The Pittsburgh Pirate game will be broadcast in HD tonight, and my wife told me that one of the announcers said something

What’s New in the?

Packard’s 500

Packard 500 or sometimes Packard 500 is a model name given to a group of model cars built by the Sunbeam-Talbot-Darracq (STD) company from 1899 to 1903, but designed, sold and built in the USA by the Packard Motor Car Company which acquired the rights to the name Packard in 1901.

The other reason for the name Packard 500 is the price, which was £60. For comparison, the Peugeot 504 was £70. Thus, Packard 500 was a cut-price motor car. However, the Morgan Motor Company’s 1902 No 16 was priced at £125. The Packard 500 was selected for publication by the motoring magazine The Automobilist in December 1901, priced at £85.

As per the USA model names, they were called Packards (titled Model No. 901), Model No. 1006 (the English name of the car was the Goliath), Model No. 1009 (the Goliath II), the Goliath I and Model No. 1010 (the Goliath III).

The car was sold in both the US and UK with these badging:

The cars built in US were largely and hastily assembled with standard Sunbeam parts by the STD factory at Birmingham. This is in contrast to the larger Packard cars that were assembled in Italy and had over 400 special, built by hand according to American specifications.

Development

The model was a 100 cc two-cylinder single-seater with an open car body. There was a wood steering wheel with a spring horn.

The development of this model started in 1899 and on 3 December the executive body of the Rainham Automobile Company received a letter from Edmond Sinclair, the president of Rainham, who informed them that:

This therefore suggested that the car was in the production stage. On 6 December 1899, the chairman of the Rainham company wrote to Edmond Sinclair saying that they had received an order for 100 of these cars and that they expected the cars to be ready by 15 March 1900. In January 1900, Sir Frank Bethell, the chairman of the Sunbeam Motor Company, wrote to Edmond Sinclair saying that:

It is therefore a matter of conjecture whether Rainham was just fulfilling a commission for a car that was already made or they had been in contact with Sinclair or vice versa. Either way, by June 1900, the first 250 units

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