HD Online Player (The Concubine Korean Movie 2012 14)



 
 
 
 
 
 
 

HD Online Player (The Concubine Korean Movie 2012 14)

the opposite strategy is to use the authentic materials, but still transfer them into the ancient korean culture and context, or, in some cases, just use the artistic style of the classical art pieces from the original cultural histories. in farewell my concubine, the director chen kaige draws inspiration from the silk painting (at that time, in china, western and eastern artistic styles coexisted, but, in chinese history, silk painting from old time was emerging.) and pieces of costumes and hairstyles. he uses the ancient chinese writing style or classical chinese opera words to express douzi:s jing and teahouse scene. in addition, the director makes use of a seoul address named qingdao and a beijing opera theater named nanjing as the background of the film, which, in turn, inspired some parts of the story.

in contrast to the previous film, the story tells a tale of a woman who is sold to a prince of royal house, and, in fact, the protagonist, margareth, is a woman who is sold to the prince of a royal house, and also the prince is a man who was sold to his father, the empress, for the purpose of political marriage. the protagonist margareth takes the opportunity to revolt against the arrangement she was forced to make, and, like a double agent, she secretly acts as the concubine of the prince, with the hope of running away with him when the time comes. after they begin to live together as one, they gradually fall in love with each other and perform their musical drama. in the meantime, the empress, who is also a male secret agent, has raised several other sons as her own. when the empress learns that her daughter-in-law has an affair with the prince, she removes the princess and the prince from her palace. the princess marries the prince of a different royal house, and a scandal, which starts with this situation, is gradually embroiled into her husband’s life. the empress arranges another marriage between another son of the empress and a female lead, to prevent the affair from being revealed. the princess, however, stands by her husband and refuses to live with him. thus, when both of them are trapped, they act to each other and save each other, and one of them dies. [source: wikipedia ]

next week, and the next one and the next one is the end of the year, and so is the end of the month and the end of the project. by december 30, 2011, the critics are already in their traditional christmas mood of lists and the fashions will be inescapable from january to march next year when they talk about the highs and lows of the year and look forward to the next one. there are articles to be written and books to be written, films to be made, the anthology of the year to be selected, the critics to be thanked and the lists to be handed out. the motivation here is twofold: it is both enjoyable, as any such endeavor should be; and, more importantly, it is a good use of time. this is, after all, a time to spend doing things that mean something, to be happy and to do something for others, not just for the staff.
this is an exercise in doing something meaningful to make your life a little bit better. the main requirement of a critic, as we all know, is that he or she is not just a critic. there are of course some criticisms of the arts where there really is no interpretation and no point to make—the criticism of movies like sunrise and the man from earth for example. these films have no story, no plot, just dialogue.
tran thanh thuy, the ngo worker at the south side hospital in hanoi, witnessed the change. a few years ago, a young woman emerged from the crowd of patients who often gather outside the clinic in the early evening. she wore a simple vest and carried nothing but a brown paper bag that was half-full of melons. “that is my girlfriend,” said a kind nurse at the time.
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