Roxy Music Complete Studio Recordings Rar

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Roxy Music Complete Studio Recordings Rar

Roxy Music-like R&B, slow pace disco, “Brainbox,” cool jazz solo with organ and slow ballad “Ritual,” disco “All Night Long,” Barry White, “Sweet Dreams,” crazy drum machine on “Curved Air,” the use of looped sound on “The Sub. Main,” the zither-like melody of “Till the End of Time,” the show-offy funk on “Avalon,” the Latin ballad “The Sinking of the Titanic,” the disco/funk “Phil Don’t Be Long,” a nice instrumental “Half Dome,” R&B-like closer “Love Is The Drug,” and strong production with a lot of polished grooves and good accompaniment.
Out of the many great musicians who contributed to this record, especially the arrangements, it is Brian Eno’s influence that stand out to me the most. Eno was not only an artist, composer, and an incredible producer who shaped the musical landscape of the late 70s. He was also a true friend to Bryan Ferry, because his artistic influence on Roxy Music was much greater than most people will ever realize. So many great musicians contributed to “All Night Long.” But Brian Eno is an artist who is not measured by how many albums he has put out. He has only the best albums, and this is one of his greatest.

social review comments Review Permalink
Posted Wednesday, June 6, 2018 Review this album Report (Review #2409708)

I’m perplexed. I actually enjoy rock music, but I get tired of having my entire library of music that sounds the same. Rock music is just not something that I listen to unless it is in the context of a power station or something. Do you feel the same way? My question is, what would you change about your station if you had the ability to do so? What would you have changed? If you told me the actual thing you would change, I think I would be able to understand better.

There are a lot of things that I was listening to on that time that affected the way the band sounded. One of those was the emergence of trance music in the UK. By that time, trance was just taking off and so that’s what we were listening to a lot of. There was also a few songs on In Search Of Space where we were trying to have a bit of a vocal sound that was almost doo wop – that may be a bit of a strange thing to say, it’s really just a vocal that was kind of laid on top of these chords that were kind of weird chords. It was this very raw, stripped-down, very powerful, noisy sound.
The album is very much an R&B record, and that’s reflected in Bryan Ferry’s vocals in the lyrics. The lyrics show a wide range of influences, from American soul music to the more modern swagger of funk and disco.
Bryan Ferry was initially uncomfortable with this album, calling it a “bunch of crap” recorded in two days with all kinds of new ideas. It’s a shame he feels this way, because the end result is a very fine album with strong song writing from which the album stands out. The band displays their art rock chops, whether on their percussive improv, such as on ‘Amused to Death’ or the lovely guitar solos on “The Stone.” And there’s an unusually amount of variety on the album, for something that was recorded in a relatively short amount of time. There is also a sense of urgency. You know this would be the last album, and Ferry wasn’t even sure if it would see the light of day. Ferry wrote the song “The I.D.” as the theme to their final live concert, and “Love Is The Drug” was co-written with the band. It’s a sweetly romantic song that could be considered both a love song and a goodbye. This could have been the perfect record that The Velvet Underground had wished they could create –one of the last great albums, a farewell to their departed bandmates, and a record meant to be played during the last stage of life.” Allmusic social review comments Review Permalink Posted Saturday, October 15, 2018 Review this album Report (Review #2409708)
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