Starting Point Hayao Miyazaki.pdf HOT! 🟡

Starting Point Hayao Miyazaki.pdf HOT! 🟡

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Starting Point Hayao Miyazaki.pdf

In creating this movie, Hayao Miyazaki has already laid out his game plan. Hayao Miyazaki said that the movie is about a 17 year old girl named Nausicaa who lives in a beautiful valley in ancient Japan. In the classic Japanese myth, there was a girl who was a princess, and was supposed to be given to the dragon king. However, a beautiful child was born. The two people agreed to live in peace, and parted. However, the story is not very clear. After that, there was a huge wind and rainstorm, and it took the dragon king underground. The people have been living under this situation. However, they do not know how the dragon king was sealed, and he seems to have disappeared in anger. Meanwhile, the beautiful princess Nausicaa was turned into a 16 year old high school student due to various reasons, and finally she began her adventure to the kingdom of the dragon king where her ancestors came from. She encounters a lot of obstacles in her journey, and finally she breaks through the remnants of the dragon king and returns to the homeland of her ancestors. The city of the dragon king became the continent of the earth, and the princess returned to the heavens again. As an important chapter in the story, the princess married the prince, and also began her journey to reach the ends of the world.

This is not the first time that we have a collection of essays, interviews, and memoirs of Hayao Miyazaki. Starting Point is the third volume. The last time was in 2003. At that time, we had not yet learned the wisdom of the elderly in the international circle of animation film, so we only accepted the advance advances and critical analysis of his works. This time, this book has covered the first time, and also further reflects the thinking of Miyazaki and his impact on the society, so the content of the book is more comprehensive. Starting Point includes short interviews, memoirs of Miyazaki, and the opinions of people familiar with the world of animation. In the end, the essay is a combination of criticism and praise, with the purpose of refining Hayao Miyazaki and spreading the state-of-the-art of animation film culture. In addition to the work of the famous director Hayao Miyazaki, the book also covers the works of anime directors like Gen Urobuchi, Atsuko Ishizuka, Kaoru Konishi, and Yasuhiro Takemoto. Among them, Yasuhiro Takemoto is well-known for his influential work, and those in the field of film production, he also reflects the thoughts of the director and shares his feelings. This book is not only a collection of Hayao Miyazakis works but also a guide to understanding the theory of the production of animation and the impact of his artistic genius on society, and a reference text for everyone who loves Hayao Miyazaki, who loves the world of animation and who loves film. It is hoped that this work can help everyone to understand and love the director.

Miyazaki later transformed his vision of animation into a Masterpiece. In this scene, the director is directing (literally) the scene from a director’s point of view, the hand of the director is most visible at the top of the image.
Miyazaki’s intention was to make the art of animation so spectacular that it would go beyond the limits of the traditional film medium, and into the place where cinema once was. For him, it required attaining movie-making art, to the point that it produced an experience that could not be captured in the medium of cinema. The director’s point of view seemed alien, and the images of animation were so seemingly abstract it made movie-makers such as Miyazaki overlook the more obvious features of the medium.
But his tumultuous childhood, which he dabbled in manga, was filled with more than just success and failure. From the legend of his father — an acclaimed anime director who died at 33 — to the tumultuous marriage that ended badly, Miyazaki’s childhood was one of struggle. In the first of his two memoirs, he recounts his fight for freedom from his father’s perfectionism, his struggles to make an impact in the industry, and how he finally landed on his feet, producing the most lucrative film of his career. Miyazaki’s childhood marks an important juncture in the history of Japanese animation: he is the first to ever complete a successful film that is not entirely made up of Japanese styles and characters. He also has reason to celebrate: his first film was released in 1979, and it was a box-office smash. Starting Point, 1979-1996 is packed with fascinating details, from personal anecdotes to critiques of the world of Japanese animation in the ’90s. Miyazaki takes readers on his masterful journey from the uncertainties of his childhood to the creative freedom of his successful career in modern Japan. In the end, he is the most appealing person I’ve ever interviewed.
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