Upright Bass V1.6 AAX AU VSTi WiN OSX

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Upright Bass V1.6 AAX AU VSTi WiN OSX

the modulus virtual instrument is an instrument that emulates the modulus harpsichord. it can be used to create harmonies and chord progressions.
the harpsichord sound was recorded with a roland sh101 (8 voices), roland rd 700 (10 voices), a yamaha hs10 (17 voices) and an akai apc40 (32 voices).
it is a real-time instrument. it is available in the following formats: vst, aax, au, and kontakt.
the modulus is an instrument that can be used to create harmonies and chord progressions.
the harmonia is a virtual instrument, with the main focus on the bass. it features a rich, warm sound, and its bass response is extremely good. the dynamic and decay are also very good. the low end is dynamic and it is clear, with a sound that is not bloated. the instrument can be used to create harmonies, chord progressions and bass parts. the vst, aax and au versions of the harmonia are also available.
samples are available in 8, 16, and 32-bit 24-bit formats. a 24-bit/48 khz reference is included.
the sample rate can be changed from 44.1 khz to 96 khz.
the vst and au versions have internal support for vst2 and au3. there is also a standalone version for windows.

inspired by the best-selling upright bass vsti, adam monroe’s upright bass is a virtual instrument and bass sample library that allows you to make your own bass instruments for a variety of genres. the articulations are pre-recorded rather than designed / programmed.

upright bass vsti is a vsti plug-in for windows and mac operating systems that can be used to simulate the sound of upright acoustic and electric basses. to achieve a more natural sound, we used a microphone, a close-miking technique, pre-gain, and a pre-amp equalizer. the same data is used to synthesize the fundamental of the basses.

ample bass upright is a virtual upright bass instrument. system requirements: 5 gb of free hard disk space. windows vista or newer, pentium 4 or athlon processor with 2 gb ram. mac os x 10.7 or higher, intel-based mac with 2 gb ram. au, vst, aax or rtas host application and professional sound card recommended. stand-alone version read more
adam monroes upright bass is a virtual instrument and bass sample library (24-bit, 44.1) that can work right in your daw.the purpose of this library was to find a balance between realistic low-frequency sound and a useful plug-in, so the articulations are pre-recorded rather than designed / programmed. although a software simulator allows you to better control the game, nothing sounds better than live articulation.when sampling this bass, we used the shure sm81 stereo microphone pair in the near position, as well as the neumann tlm 102. during the mixing, it was decided that the sm81 together with the d112 could give the best overall tone.versions of vst, au, and aax include high-performance algorithms that have been improved with every new virtual instrument released by adam monroe music. for example, the buffering algorithm is double buffering and multithreading, which means high buffering performance even on slower computers and even with less latency. the voices are stored and repeated in the c-style array. memory usage in the vst version is lower than in the (outdated) kontakt version (70-130 mb). versions of vst, au and aax now also include built-in support for 44.1, 48, 88.2 and 96 khz sample rates.
this library contains the sampling of the upright bass, but has been recorded in a separate acoustic environment. i recorded the upright bass through a close-miced stereo pair of shure sm81s, an akg d112, a neumann tlm 102 and a di bridge pickup. during mixing, it was determined that the sm81s blended with the d112 gave the best overall tone. the bass was sampled over the course of a few 10 hour sessions, where the bass player played plucked notes, slap bass, and slides. boy did his fingers burn after those slides! do to the nature of the recording environment, the samples contained a lot of noise, and had to be denoised, although some of the noise was left in so as not to affect the tonal qualities of the upright bass too much. as an instrument that is more-or-less destined to sit in a mix, we dont feel that the slight noise is much of an issue, and do to the percussive nature of an upright bass, tends to fade-away quickly.
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